{"id":3053,"date":"2016-12-14T00:03:44","date_gmt":"2016-12-13T23:03:44","guid":{"rendered":"http:\/\/www.garoli.fr\/blog\/?p=3053"},"modified":"2017-09-29T23:34:03","modified_gmt":"2017-09-29T22:34:03","slug":"twombly","status":"publish","type":"post","link":"https:\/\/www.garoli.fr\/blog\/2016\/12\/14\/twombly\/","title":{"rendered":"Cy Twombly, un h\u00e9ritage abstrait made in USA ou pas"},"content":{"rendered":"

30 novembre 2016 \u2013 24 avril 2017<\/span><\/h3>\n

Gallerie 1 du Centre Pompidou \u00e0 Paris<\/span><\/h3>\n

Galer\u00eda 1 del centro Pompidou \u00e0 Paris<\/h3>\n

\u00ab Chaque ligne est une exp\u00e9rience avec sa propre histoire inn\u00e9e. Elle n\u2019illustre pas, elle est la sensation de sa propre r\u00e9alisation. L\u2019imagerie est d\u2019une indulgence priv\u00e9e ou s\u00e9par\u00e9e, plut\u00f4t qu\u2019une abstraite totalit\u00e9 de la perception visuelle. \u00bb\u00a0<\/span><\/p>\n

Cy Twombly<\/span><\/p>\n

\u00ab\u00a0Cada l\u00ednea es una experiencia con su propia historia\u00a0<\/span>inata. No ilustra, es la sensaci\u00f3n de su propia realisaci\u00f3n. Im\u00e1genes de una indulgencia privada o separada, mas que una totalidad abstracta de la percepci\u00f3n visual.\u00a0\u00bb<\/p>\n

Cy Twombly<\/p>\n

\"IMG_1794\"<\/a> \"IMG_1795\"<\/a><\/p>\n

Twombly, shoot me, shoot la toile, trace de l\u2019h\u00e9ritage de l\u2019expressionnisme abstrait am\u00e9ricain et les origines de la culture m\u00e9diterran\u00e9enne.<\/span><\/p>\n

Twombly, disp\u00e1rame, tira sobre el lienzo, trazos de la herencia del expresionismo abstracto americano y los or\u00edgenes de la cultura mediterranea.<\/span><\/p>\n

\"IMG_1796\"<\/a><\/p>\n

\u00a0<\/p>\n

\u00ab\u00a0Une premi\u00e8re r\u00e9trospective compl\u00e8te de l\u2019\u0153uvre de l\u2019artiste am\u00e9ricain Cy Twombly<\/strong>\u00a0est construite autour de trois grands cycles :\u00a0Nine Discourses on Commodus<\/em>\u00a0(1963),\u00a0Fifty Days at Iliam<\/em>\u00a0(1978) et\u00a0Coronation of Sesostris<\/em>\u00a0(2000). L\u2019exposition retrace l\u2019ensemble de la carri\u00e8re de l\u2019artiste \u00e0 travers un parcours de cent quarante peintures, sculptures, dessins et photographies\u00a0\u00bb<\/span><\/p>\n

J\u2019ai trouv\u00e9 un article qui me para\u00eet pertinent de lire si vous souhaitez comprendre plus sur l\u2019expo et sur l\u2019artiste,<\/span> c\u2019est par ici >><\/a><\/p>\n

\u00a0<\/p>\n

Ces toiles (quasiment les plus connues) sont celles surtout des d\u00e9buts de l\u2019artiste am\u00e9ricain, dans les ann\u00e9es\u00a050, quand il sort \u00e0 peine de l\u2019universit\u00e9 libre et communautaire du Black Mountain College, o\u00f9 il s\u2019agit pour ses camarades, Rauschenberg notamment, de faire \u0153uvre en effa\u00e7ant et en faisant silence (John Cage en \u00e9tait aussi). Du coup, la couleur, Twombly s\u2019en passe, pr\u00e9f\u00e9rant faire pleuvoir un crachin aux hachures grises. On dirait que le jeune homme, n\u00e9 en\u00a01928, bredouille, qu\u2019il cherche une piste, tout en jetant, confus\u00e9ment, les marques d\u2019un style.\u00a0>Liberation><\/a><\/span><\/p><\/blockquote>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

30 novembre 2016 \u2013 24 avril 2017 Gallerie 1 du Centre Pompidou \u00e0 Paris Galer\u00eda 1 del centro Pompidou \u00e0 Paris \u00ab Chaque ligne est une exp\u00e9rience avec sa propre histoire inn\u00e9e. Elle n\u2019illustre pas, elle est la sensation de sa propre r\u00e9alisation. L\u2019imagerie est d\u2019une indulgence priv\u00e9e ou s\u00e9par\u00e9e, plut\u00f4t qu\u2019une abstraite totalit\u00e9 de […]<\/p>\n","protected":false},"author":4,"featured_media":3058,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[4,5,8,1,21,10],"tags":[125,129,13],"class_list":["post-3053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-art-contemporain","category-dessin","category-non-classe","category-expos","category-peinture","tag-art-contemporain","tag-expos","tag-paris"],"_links":{"self":[{"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/posts\/3053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/comments?post=3053"}],"version-history":[{"count":10,"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/posts\/3053\/revisions"}],"predecessor-version":[{"id":3290,"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/posts\/3053\/revisions\/3290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/media\/3058"}],"wp:attachment":[{"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/media?parent=3053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/categories?post=3053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.garoli.fr\/blog\/wp-json\/wp\/v2\/tags?post=3053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}